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demiurgos
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May 2, 2016 14:38:30 GMT -6
May 2016
demiurgos
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Post by demiurgos on May 21, 2016 12:46:40 GMT -6
I'm creating this thread for stained glass pattern suggestions/discussions..._______________________________ Earlier in my life, I stumbled upon some Pythagorean hocus pocus metaphysics. Maybe the following patterns will work as an inspiration for some of the stained glass windows we might encounter in Bloodstained. Pythagoras of Samos probably lived from about 570 B.C.E. to around 480 B.C.E. Besides being a poster boy for the Pythagorean theorem, Pythagoras and his disciples created a religiously colored natural philosophical doctrine. Pythagoras thought he could understand the cosmos with the help of arithmetics (number in itself), geometry (number in space) and harmonics (number in time). This might be something that alchemists of the Bloodstained mythos would show interest in. Here follows a list of geometrical figures that seem to have held importance for some of the Pythagoreans. Each figure (number) was believed to possess distinctive traits. The Monad (1) Instrument of Truth
Obscure
Fabricator
Eudaimonia
Zeus
Life
Memory
Proteus
Prometheus
Darkness
Harmony
Order
Chaos
Materia
The Dyad (2) Inequality
Equality
The Unlimited
Without Form or Figure
Birth
Judgement
Movement
Distance
Revolution
Rhea
Selene
Misery
Nature
Obstinacy
The Triad (3) Proportion
Harmonia
Marriage
Knowledge
Peace
Hecate
Piety
Perfection
Friendship
Purpose
The Tetrad (4) Righteousness
Hercules
Nature of Change
Holding the Key of Nature
The Pentad (5) Alteration
Immortal
Androgyny
Aphrodite
Justice
Demigod
Nemesis
Pallas
Forethought
Light
The Hexad (6) Male-Female
Form of Forms
Peace
Kosmos
Panacea
Perfection
Health
Reconciling
The Heptad (7) Athena
Citadel
Reaper
Virgin
Fortune
Fate
Preserving
The Octad (8) Untimely Born
Steadfast
Mother
All Harmonious
Source references: Riedweg, Christoph, Pythagoras: His life, teaching and influence (Cornell University, New York 2005) Guthrie, Kenneth Sylvan, The Pythagorean sourcebook and library (Phanes Press, Grand Rapids 1987)
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